This is a memoir about life as an immigrant child from the Soviet Union in the 1970s and 1980s, a subject that I’ve become very interested in because of this memoir. I rated this a four (though I am against ratings really) because the first part, about Shteyngart’s childhood, is fantastic. Had it stayed that way, I would be raving about it, had it not been that good, I wouldn’t bother adding it to my books.
The writing about his childhood is hilarious, biting, vivid. I was really struck by how little was different in the Soviet Union, by way of material life, in the 1970s from 1930s Poland (my parents’ memories). His parents even treated his asthma with cupping (in Yiddish bankes): heating small glass vessels to create a vacuum which are then put on the ailing person’s back, thereby sucking up the skin to suck up the vapours or something. My grandmother was a specialist in “laying bankes” in the pre-ww2 years.
The next part of the story, his years of being stoned and drunk in high school and university were pages I got through for the sake of the first part, and because even there his writing was good enough to keep me going, even if I was disappointed that as I went there was just more of the same.
The last part of the memoir covers his return to Russia with his parents, and that felt to me inhibited and truncated, abruptly so. His parents are still alive, and I had the feeling that there was a lot more to say, and that if he were to write his memoirs when he was older, it would be more satisfying to read, both because of maturity and freedom.
He was on the jury of the Giller Prize, the year that Web of Angels wasn’t listed, and, oddly enough, reading this memoir was a relief. I could see why my novel wouldn’t be his cup of tea. Too bad The Singing Fire wasn’t up in 2012–I think that would have been more in his line. But after all this time, the sting has gone out of it thanks to Little Failure. So for that alone, it should get four stars!